The band didn’t enjoy as much success during the 80s and 90s, often having to tour and play gigs in order to make ends meet.
Volume 8 (1973) ensued, spawning the hits “Diana” and “Kolam Susu.” What followed was Koes Plus’ most prolific streak, releasing 38 albums between 19. The album, which adapted the Beat-era rock ‘n’ roll to Indonesian audiences, spawned some of the group’s most successful hits: “Kembali Ke Jakarta,” “Manis dan Sayang,” and “Kelelawar.” In 1972, their reputation in their home country grew as they were named Best Band at the prestigious Jamboree Band competition.
Following their release and Nomo’s departure in 1968, the band added drummer Murry and started going by Koes Plus, releasing the highly-successful Dheng Dheng Plas (1969). Initially known as The Koes Brothers, the band’s love for western pop music initially got them in trouble with the country’s authoritarian regime, who arrested them for playing Beatles covers in 1965. Formed in the late 1960s by brothers Tony Koeswoyo (lead guitar), Yon Koeswoyo (vocals), Yok Koeswoyo (bass) and Nomo Koeswoyo (drums), Koes Plus were one of the early pioneers of Indonesian rock.
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